(MENAFN- Arab Times) Matthew McConaughey has enjoyed a bit of a reinvention over the past year or so, casting aside eager-to-please roles in forgettable romantic comedies for dark, serious work in films with more shading and complexity to them.
This began with 2011's "The Lincoln Lawyer," in which he played a sleazy lawyer who finds his swagger may not help him get out of every jam. It continued earlier this year with supporting roles as a slick, self-promoting district attorney in "Bernie" and as a stripper-turned-nightclub owner hungry for money and fame in "Magic Mike."
But McConaughey's evolution reaches a thunderous crescendo in "Killer Joe," in which he plays the title character: a meticulously smooth Dallas police detective with a side business as a hit man. He's calm and controlling, soft-spoken and impeccably dressed. And he's extremely dangerous.
If you look closely, McConaughey hasn't changed all that much. All these performances call upon him to play on his persona, to work that seductive charm with his sexy smile and Texas twang, but now he's doing it for dubious if not deadly purposes. As he embraces his maturity, he's establishing a much more powerful screen presence.
Joe is the frightening figure at the center of William Friedkin's pulpy Southwestern noir, full of drug dealers and trailer parks, diner tips and tuna casseroles. This is the second time the veteran director of "The Exorcist" and "The French Connection" has adapted a play from Pulitzer Prize-winner Tracy Letts; their first collaboration was 2007's "Bug," about a couple who hide in a motel room and feed on each other's paranoia, with Letts adapting the screenplay both times.
Revels
Whereas "Bug" was ridiculous and didn't know it, "Killer Joe" is ridiculous and absolutely wallows in it. It revels in its low-rent digs and low-life criminals. These characters are types, people at the fringes of society who are screwed up beyond redemption, but the actors playing them are clearly having a blast slumming.
"Killer Joe" is seriously graphic and squirm-inducing, especially at its climax â€" there's a reason it earned an NC-17 rating â€" but while it may sound crass to enjoy on-screen violence at a time like this, the movie can be hilarious and unexpectedly fun.
It'll set you on edge from the beginning, though. Chris (Emile Hirsch), a 22-year-old drug dealer, owes his boss $6,000 when his mother steals his stash. Desperate, he goes to his beer-drinking, auto mechanic father, Ansel (Thomas Haden Church), who's divorced from his mom, to set a plan in motion: They'll have her killed and collect on her $50,000 life insurance policy.
Killer Joe is just the man for the job. Trouble is, he wants the money in advance.
They don't have the money â€" but they have something else Joe might want: Chris' teenage sister, Dottie (Juno Temple), whose revealing wardrobe and provocative demeanor contradict her virginity. Dottie becomes sexual collateral of sorts, which oddly she doesn't seem to mind; Temple and McConaughey's scenes seem like all kinds of icky at first, but a strange sweetness eventually emerges.
Seizes
Also in on the plan is Ansel's new wife, the trashy waitress Sharla. As you might imagine, Gina Gershon seizes the role with total gusto. She's formidable but she also isn't afraid to get a little dirty â€" or a lot dirty.
There are no lessons here, there's no hidden message. Friedkin has given us the kind of stylized, violent genre exercise of a man who knows his craft but also has been around long enough not to care what anyone thinks.
Maybe "Killer Joe" approaches the notion that deep down, we enjoy things we may not like to admit. But mostly it's about the garish spectacle of it all.
Like a deep-fried Twinkie at the State Fair of Texas, "Killer Joe" is gooey, flavorful and bad for you. Dig in.
"Killer Joe," an LD Entertainment release, is rated NC-17 for graphic disturbing content involving violence and sexuality, and a scene of brutality. Running time: 103 minutes. Three stars out of four.
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NEW YORK: Warner Bros is planning to move the release date of "Gangster Squad" from Sept 7 to January, according to individuals with knowledge of the situation.
Other reports have pegged a specific date â€" Jan 11 â€" but neither our sources nor the studio would confirm that. Nor would the studio confirm whether a scene in which gunmen shoot up a movie theater would remain in the film.
The scene was in the film's trailer â€" which screened before "Dark Knight Rises" and has been replaced since the Colorado shooting â€" but has been removed.
The film, directed by Ruben Fleischer and written by Will Beall, stars Ryan Gosling, Sean Penn, Josh Brolin and Emma Stone. It chronicles a coterie of LAPD cops who try to take down Mickey Cohen, a notorious Los Angeles gangster.
Ever since a gunman, suspected to be James Holmes, killed 12 and injured 59 at showing of "The Dark Knight Rises" just past midnight last Thursday night, Warner Bros. has been working around the clock to figure out what to do with "Gangster Squad."
Given the tragedy in Aurora, which also occurred in a theater, individuals close to Warner Bros. have said for a few days the studio would remove the scene from the movie and push its release date both to allow for reshoots and distance the film from the real-life shooting.
A final decision is still pending, but those close to the studio say a decision is imminent â€" and has been since Monday. Warner Bros. is trying to figure out reshoots given cast members' differing schedules, as well as select the precise date.
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